The Screening Room · the films, shown in the museum they film
The Screening Room
The site, watching itself. The video reels were retired to keep the house lean and fast — they went out of date faster than the site that filmed them, and a 40MB download is the opposite of "asks the least of you." What survives is what always mattered: the written program — the silent film, in words. Deaf-accessible by birth, instant, weightless. Read the picture.
The π Cut
The program (the silent film, in words)
1. The home wall and both pills (dark ↔ light). 2. Every gallery, flash-toured. 3. Egg montage: the Swan, Wilson's book, the Answer (;), the Director's Cut rain, Juddy's courtroom. 4. A complete speedrun game — the secret is "three point one four" — from the Constitution to the award wall. 5. The John Williams ending: credits roll, and the clock briefly surrenders its semicolon.
The Art of Sean McKendry
The program
1. The Collection, exhibit by exhibit. 2. The Definition Filter hovers the taxonomy — every term re-argued. 3. The Director's Cut in the green rain: the pièce de résistance, still in the future. 4. Wilson, then The Art of the Admission. 5. The Answer (;) and the Proof of Work ledger. 6. Out on the ending. Made to be argued with.
The reels may return on a real streaming shelf one day — until then the house won't haul 40MB to say what a paragraph says faster. Lean is a feature; the program is the picture.
House rules of the room: no autoplay, nothing to miss, no heavy download — the full picture in text, instant and accessible. Accessibility (and a fast site) as the flex, not the footnote.