πŸ—ΊοΈ The Outline Β· the consignment document, out of hiding

Every room, on one page.

The outline used to live behind a typed word; the curator ruled that it hid too much β€” even from him. So here is the whole house in three layers, each one opening the next: the wings (where to go), the eggs (the depth, unhidden and clickable), and the full consignment (every page, dated, from the Ledger). Nothing withheld, nobody excepted β€” the inverse onion, laid flat.

πŸ›οΈ the wings πŸ₯š the eggs (347) πŸ“œ every page

Layer one β€” the path: start at 1, climb to 5

Ordered so a reader progresses: play first (no reading required β€” the door is a piano), then the one rule, then the wings (now you read), then the receipts (now you check), then the chair (now you judge). Each stage earns the next; skipping ahead is allowed and the house will still be honest with you. Same path the outline egg shows β€” one source of truth, two doors.

Every wing has walls, and the walls have walls: peel to layer two β€” the eggs ↓

Layer two β€” the eggs, unhidden: all …, clickable

The wall behind the wall, out from behind the wall (the curator's call: the clearer, the more depth β€” the mystery can come back later). Tap any trigger and the egg opens on this page; or type it anywhere in the museum, the old way.

Under everything, the record itself: peel to layer three β€” every page, dated ↓

Layer three β€” the full consignment: all … pages

loading the inventory…

And every page above carries its commit in the footer β€” the receipts live on the Ledger. Peel the outline and you find the record; peel the record and you find the house. That's the whole onion, inverse on purpose.